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Aaron Lewis: Please hang up your guitar and voice box

Alright y’all. This is a hate post.

First of all, Aaron Lewis has a new single out, called “Country Boy.” He might as well have called it “Well I Guess That Whole Angsty Scene Really Is Gone So Here’s Me Trying To Act Country (Like I Have Been All My Life, You Guys)” GAAAASSP <>…..

My story with Aaron Lewis started a long time ago when a good friend introduced me to the song “Raw” by a band called Staind. For those of you who aren’t familiar, Staind were the original angsty rock band, which was a slight yet certain departure from emo rock. I guess these guys just had lower voices and weren’t as skinny

Staind did fairly well for themselves in their time, but eventually everyone (or was it just me) that they wrote the same song and hook over and over, and then everyone got tired of making angsty faces all the time.

After three or four albums (plus that “Outside” single with Fred Durst that I absolutely hated), Staind was over. Perhaps it was then that Aaron decided to see if there was any angst left in America. He had already hit the bummed out mid-westerners with his first band, so why not go country. I can’t stand this song! It’s pathetic and typical attempt at a country song–alright not like I know a lot of those, but it brings nothing new to the table.

Also, it’s called “I’m still country”?? So what does that make Staind, a practical joke?

“I’m still country y’all. Just like I always was. Staind was just a truck I built with my bare hands to take me to my country career all these years later.”

-Aaron Lewis

I wonder what all of those angsty kids (adults?) who have been missing their favorite band must think of this. Surely working class angsty music fans from ten years ago didn’t take much a liking to that there country music.

Anyway here’s the song.

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Tron Soundtrack and Nightclubs

The other night I went with a friend to a listening party for the Tron soundtrack at the Hudson hotel. It was my type of event, music industry folks and all, but it definitely wasn’t my kind of venue or what I expected.

I’ve been to a few other listening parties. I went to one for Chiodos’ Illuminaudio at Angels & Kings, which was basically twenty people we were lucky enough to get off of work at 5 PM to head over. There were also a few actual fans (non-industry people) there, but it wasn’t promoted a ton so it wasn’t packed. Haha one of the kids there even asked if I liked prog metal, so I said yeah of course, so he told me to check out his band. Only problem was he wasn’t sure what his band was called. Lame, kid.

This one was at a club. Now, being in a club is cool. I don’t get to do it often, so when I do it’s kind of a treat. Everyone is dressed well, the music is great, and they turn the lights down low so everybody looks a whole lot better then they really are (unless you’re in a bad lighting area/pose). Its getting INTO the clubs that I hate.

Waiting in line, I am wondering to myself (or really making myself panic about):

  • How cool my shoes look. Are they hip enough? Or should they be more classy looking? Are they too hip?? Are they hip but just too dirty???
  • Pants. They’re definitely jeans (cause that’s all I have) so how does the bouncer feel about jeans? They’re skinny jeans so at least they look kinda cool. Or are skinny jeans out of style now?
  • How many girls do I have with me? Probably at least one, but that’s definitely not enough. Must make friends with loner girls in line, just for the sake of getting in.
  • Do I look like a baller? I mean, I sure do feel like one. But between me and the 27 people in front of me, how am I gonna figure out how to look like one?? Flash some benjamins up front?

Anyway, dive bars rule.

But about the music. While what I heard that night was some very good tunes, I realized that Daft Punk really made a score, not a soundtrack. So beyond the couple of songs that you could turn on and bob your head to, most of the rest of the tracks are more texture based, and were clearly written to go along with the visual scenes from the movie.

Here is clip of Daft Punk’s “Derezzed.” I can’t WAIT for this movie to come out.

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#MusicMonday – Yelawolf

I came across a video on Yelawolf last week, but of course I can’t find it now.

Anyway, I’m not crazy about hip hop, but when I’m taking a break from some of the heavy, hectic sounds of metal I’ll check it out. After going through his album Trunk Muzik 0-60, I came to track eleven, called “I Wish (feat Raekwon),” and definitely dug it.

I would have to say I’m more into the idea and message behind the song more so than the actual music itself, but this hook is so awesome. It’s basically Yelawolf asking for people to say he’s not X, so that he can reply by saying “b*tch, you ain’t X.” Haha so simple and so great.

If I had my turn on this hook, I’d say something like

I wish a muthaf*cka would…

Tell me that I ain’t tall, b*tch you ain’t tall!

Tell me that I ain’t metal, b*tch you ain’t metal!

Tell me that my email signature is too long, b*tch your email signature is too long!

Here’s the video for remix of the track, now tell me it ain’t sick…

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#musicmonday Chelsea Grin

The day is almost here!

Chelsea Grin‘s debut album Desolation of Eden drops tomorrow!

At the end of 2009, the label I ‘rep created an imprint label with bangin’ management company The Artery Foundation called Artery Recordings (well duh, what else?!).  Chelsea Grin is the first release on this label, and the band describes themselves as…

Now, I’ll be honest here and say that I have been reluctant to get into this genre for a while.  I just had a hard time handling the constant high pitch screams, muddy guitars, and blistering tempo.  I don’t mind that here and there a bit, but I need a GROOVE!  And lucky for me, Chelsea Grin knows how to bring it.

If you’re a fan of Suicide Silence, Job For A Cowboy or Whitechapel, peep these dudes.

Check em out on MySpace, iTunes, or Lala for tunes.  Hit up MerchNow for merch!

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